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Enriched with the discoveries ye have made,

Yet let me stand excused, it I esteem

A mind employed on so sublime a theme,

Pushing her bold inquiry to the date

And outline of the present transient state,

And after poising her adventurous wings,

Settling at last upon eternal things,

Far more intelligent, and better taught

The strenuous use of profitable thought,

Than ye when happiest, and enlightened most,

And highest in renown, can justly boast.

A mind unnerved, or indisposed to bear
The weight of subjects worthiest of her care,
Whatever hopes a change of scene inspires,
Must change her nature, or in vain retires.
An idler is a watch that wants both hands,
As useless if it goes as when it stands.
Books, therefore, not the scandal of the shelves,
In which lewd sensualists print out themselves,
Nor those in which the stage gives vice a blow,
(With what success let modern manners show ;)
Nor his, who for the bane of thousands born,
Built God1 a church, and laughed his word to scorn,
Skilful alike to seem devout and just,
And stab religion with a sly side-thrust;
Nor those of learned philologists, who chase
A panting syllable through time and space,
Start it at home, and hunt it in the dark,
To Gaul, to Greece, and into Noah's ark;
But such as learning without false pretence,
The friend of truth, the associate of sound sense.
And such as in the zeal of good design,
Strong judgment labouring in the Scripture mine,
All such as manly and great souls produce,
Worthy to live, and of eternal use;
Behold in these what leisure hours demand,
Amusement and true knowledge hand in hand.
Luxury gives the mind a childish cast,
And, while she polishes, perverts the taste;
Habits of close attention, thinking heads,
Become more rare as dissipation spreads,
Till authors hear at length, one general cry,
Tickle and entertain us, or we die!
The loud demand from year to year the same,
Beggars invention and makes fancy lame;
Till farce itself, most mournfully jejune,
Calls for the kind assistance of a tune,
And novels, (witness every month's review,)
Belie their name, and offer nothing new.
The mind relaxing into needful sport,
Should turn to writers of an abler sort,

1 Deo erexit Voltaire.

1 #-;

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Whose wit well managed, and whose classic style
Give truth a lustre, and make wisdom smile.

Friends, (for I cannot stint as some have done,
Too rigid in my view, that name to one,
Though one, I grant it in the generous breast,
Will stand advanced a step above the rest;
Flowers by that name promiscuously we call,
But one, the rose, the regent of them all;)
Friends, not adopted with a schoolboy's haste,
But chosen with a nice discerning taste,
Well born, well disciplined, who, placed apart
From vulgar minds, have honour much at heart,
And (though the world may think the ingredients odd;
The love of virtue, and the fear of God!
Such friends prevent what else would soon succeed,
A temper rustic as the life we lead,
And keep the polish of the manners clean,
As theirs who bustle in the busiest scene.
For solitude, however some may rave,
Seeming a sanctuary, proves a grave,
A sepulchre in which the living lie,
Where all good qualities grow sick and die.
I praise the Frenchman,1 his remark was shrewd.
How sweet, how passing sweet is solitude!
But grant me still a friend in my retreat,
Whom I may whisper, solitude is sweet.
Yet neither these delights, nor aught beside
That appetite can ask, or wealth provide,
Can save us always from a tedious day,
Or shine the dullness of still life away;
Divine communion carefully enjoyed,
Or sought with energy, must fill the void.
Oh, sacred art, to which alone life owes
Its happiest seasons, and a peaceful close,
Scorned in a world indebted to that scorn
For evils daily felt and hardly borne,
Not knowing thee, we reap with bleeding hands
Flowers of rank odour upon thorny lands,
And while experience cautions us in vain,
Grasp seeming happiness, and find it pain.
Despondence, self-deserted in her grief,
Lost by abandoning her own relief;
Murmuring and ungrateful discontent,
That scorns afflictions mercifully meant;
Those humours tart as wines upon the fret,
Which idleness and weariness beget;
These and a thousand plagues that haunt the breast,
Fond of the phantom of an earthly rest,
Divine communion chases, as the day
Drives to their dens the obedient beasts of prey.
See Judah's promised king, bereft of all,
1 Bruyere.

Driven out an exile from the face of Saul,
To distant caves the lonely wanderer flies,
To seek that peace a tyrant's frown denies.
Hear the sweet accents of his tuneful voice,
Hear him o'erwhelmed with sorrow, yet rejoice;
No womanish or wailing grief has part,
No, not a moment, in his royal heart;
'Tis manly music, such as martyrs makt,
Suffering with gladness for a Saviour's sake '.
His soul exults, hope animates his lays,
The sense of mercy kindles into praise,
And wilds familiar with the lion's roar
Ring with ecstatic sounds unheard before.
'Tis love like his that can alone defeat
The foes of man, or make a desert sweet.

Religion does not censure or exclude
Unnumbered pleasures harmlessly pursued.
To study culture, and with artful toil
To meliorate and tame the stubborn soil;
To give dissimilar yet fruitful lands
The grain or herb or plant that each demands;
To cherish virtue in an humble state,
And share the joys your bounty may create;
To mark the matchless workings of the power
That shuts within its seed the future flower,
Bids these in elegance of form excel,
In colour these, and those delight the smell,
Sends nature forth, the daughter of the skies,
To dance on earth, and charm all human eyes;
To teach the canvas innocent deceit,
Or lay the landscape on the snowy sheet;
These, these are arts pursued without a crime,
That leave no stain iipon the wing of time.

Me poetry (or rather notes that aim Feebly and vainly at poetic fame,) Employs, shut out from more important views, Fast by the banks of the slow-winding Ouse; Content if thus sequestered I may raise A monitor's, though not a poet's praise, And while I teach an art too little known, To close life wisely, may not waste my own.

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ADVERTISEMENT.

The history of the following production is briefly this. A lady, fond of blank verse, demanded a poem of that kind from the author, and gave him the Sofa for a subject. He obeyed; and having much leisure, connected another subject with it; and pursuing the train of thought to which his situation and turn of mind led him, brought forth at length, instead of the trifle which he at first intended, a serious affair,—a Volume.

In the poem on the subject of Education he would be very sorry to stand suspected of having aimed his censure at any particular school. His objections are such as naturally apply themselves to schools in general. If there were not, as for the most part there is, wilful neglect in those who manage them, and an omission even of such discipline as they are susceptible of, the objects are yet too numerous for minute attention; and the aching hearts of ten thousand parents, mourning under the bitterest of all disappointments, attest the truth of the allegation. His quarrel, therefore, is with the mischief at large, and not with any particular instance of it.

LOOK I.—THE SOFA.

ARGUMENT.

Historical deduction of seats, from the stool to the Sofa—A schoolboy's ramble —A walk in the country--The scene described—Rural sounds as well as sights delightful—Another walk—Mistake concerning the charms of solitude corrected—Colonnades commended — Alcove, and the view from it — The Wilderness—The Grove—The Thresher—The necessity and the benefits of exercise—The works of nature superior to and in some instances inimitable by art—The wearisomeness of what is commonly called a life of pleasure — Change of scene sometime? expedient—A common described, and the character of crazy Kate introduced upon it—Gipsies—The blessings of civilised life—-That state most favourable to virtue—The South-sea Islanders compassionated, but chiefly Omai—His present state of mind supposed—Civilised life friendly to virtue, but not great cities—Great cities, and London in particular, allowed their due praise, but censured—Fete champitre—The book concludes with a reflection on the fatal effects of dissipation and effeminacy upon our public measures.

I Sing the Sofa. I who lately sang

Truth, Hope, and Charity, and touched with awe

The solemn chords, and with a trembling hand,

Escaped with pain from that adventurous flight,

Now seek repose upon an humbler theme;

The theme though humble, yet august and proud

The occasion,—for the fair commands the song.

Time was when clothing, sumptuous or for use,
Save their own painted skins, our sires had none.
As yet black breeches were not, satin smooth,
Or velvet soft, or plush with shaggy pile.
The hardy chief upon the rugged rock
Washed by the sea, or on the gravelly bank
Thrown up by wintry torrents roaring loud,
Fearless of wrong, reposed his weary strength.
Those barbarous ages past, succeeded next
The birthday of invention, weak at first,
Dull in design, -and clumsy to perform.
Joint-stools were then created; on three legs
Upborne they stood,—three legs upholding firm
A massy slab, in fashion square or round.
On such a stool immortal Alfred sat,
And swayed the sceptre of his infant realms;
And such in ancient halls and mansions drear
May still be seen, but perforated sore
And drilled in holes the solid oak is found,
By worms voracious eating through and through.

At length a generation more refined
Improved the simple plan, made three legs four,
Gave tftem a twisted form vermicular,
And o'er the seat with plenteous wadding stuffed
Induced a splendid cover green and blue,
Yellow and red, of tapestry richly wrought
And woven close, or needle-work sublime.
There might ye see the peony spread wide,
The full-blown rose, the shepherd and his lass,
Lap-dog and lambkin with black staring eyes,
And parrots with twin cherries in their beak.

Now came the cane from India, smooth and bright
With Nature's varnish; severed into stripes
That interlaced each other, these supplied
Of texture firm a lattice-work, that braced
The new machine, and it became a chair.
But restless was the chair; the back erect
Distressed the weary loins that felt no ease;
The slippery seat betrayed the sliding part
That pressed it, and the feet hung dangling down,
Anxious in vain to find the distant floor.
These for the rich: the rest, whom fate had placed
In modest mediocrity, content
With base materials, sat on well-tanned hides
Obdurate and unyielding, glassy smooth,
With here and there a tuft of crimson yarn,
Or scarlet crewel in the cushion fixed:
If cushion might be called, what harder seemed
Than the firm oak of which the frame was formed.
No want of timber then was felt or feared
In Albion's happy isle. The lumber stood
Ponderous, and fixed by its own massy weight.

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