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The Discourses of Sir Joshua Reynolds: To which are Added His Letters to ...
Sir Joshua Reynolds
Uten tilgangsbegrensning - 1907
Academy acquired action admirable advantage ancient appear artist attempt attention beauty become called carried character colour common composition considered contrary correct criticism defects difficulty dignity discourse distinguished drawing dress effect employed endeavour equal example excellence exhibit expression figures finished follow genius give given grace grandeur greater greatest habit hand higher highest idea imagination imitation instance invention Italy kind knowledge labour learned less light living look manner masters means method Michael Angelo mind minute nature necessary never object observed opinion original ornaments painter painting particular perfection perhaps picture possess practice present principles produced proportion qualities Raffaelle reason received recommend represented requires respect rules says sculpture seems seen sense simplicity speak student style sufficient suppose taken taste thing thought Titian true truth variety Venetian school whole wish
Side 161 - And worthy seemed, for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom placed; Whence true authority in men; though both Not equal, as their sex not equal seemed; For contemplation he and valour formed, For softness she and sweet attractive grace, He for God only, she for God in him...
Side 220 - Or ounce, or tiger, hog, or bearded goat, All other parts remaining as they were ; And they, so perfect is their misery, Not once perceive their foul disfigurement, But boast themselves more comely than before ; And all their friends and native home forget, To roll with pleasure in a sensual sty.
Side 232 - He the best player!" cries Partridge, with a contemptuous sneer, "why, I could act as well as he myself. I am sure, if I had seen a ghost, I should have looked in the very same manner, and done just as he did.
Side 42 - There is no excellent Beauty that hath not some strangeness in the proportion. A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Side 96 - Invention is one of the great marks of genius ; but if we consult experience, we shall find that it is by being conversant with the inventions of others, that we learn to invent : as by reading the thoughts of others, we learn to think.
Side 32 - You must have no dependence on your own genius. If you have great talents, industry will improve them : if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well-directed labour : nothing is to be obtained without it.
Side 233 - Shakespeare that he assumes as an unquestionable principle a position which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited.
Side 81 - Mankind, who by the mere Strength of natural Parts, and without any Assistance of Art or Learning, have produced Works that were the Delight of their own Times and the Wonder of Posterity.
Side 33 - He thinks in a peculiar train, and he thinks always as a man of genius; he looks round on Nature and on Life with the eye which Nature bestows only on a poet...
Side 40 - I have here offered, than that music, architecture, and painting, as well as poetry and oratory, are to deduce their laws and rules from the general sense and taste of mankind, and not from the principles of those arts themselves ; or, in other words, the taste is not to conform to the art, but the art to the taste.