Mary Erskine: A Franconia StoryHarper & brothers, 1850 - 202 sider |
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Side 15
... to see Beechnut while he asked this question , Phonny had to twist his head round in a very unusual position , and look out under his arm . It was obvious that in doing Beechnut's opinion . Phonny's fall . this he was in JEMMY . 15.
... to see Beechnut while he asked this question , Phonny had to twist his head round in a very unusual position , and look out under his arm . It was obvious that in doing Beechnut's opinion . Phonny's fall . this he was in JEMMY . 15.
Side 19
... fell out upon the floor . Sligo then jumped down and pushed the basket along toward the clock . She finally got it under the clock , crept into it , curled herself Arabella punished for Sligo's mischief . round into the form JEMMY . 19.
... fell out upon the floor . Sligo then jumped down and pushed the basket along toward the clock . She finally got it under the clock , crept into it , curled herself Arabella punished for Sligo's mischief . round into the form JEMMY . 19.
Side 20
A Franconia Story Jacob Abbott. Arabella punished for Sligo's mischief . round into the form of a semicircle inside , so as just to fill the basket , and went to sleep . " Presently Arabella came in , and seeing the spools and balls upon ...
A Franconia Story Jacob Abbott. Arabella punished for Sligo's mischief . round into the form of a semicircle inside , so as just to fill the basket , and went to sleep . " Presently Arabella came in , and seeing the spools and balls upon ...
Side 23
... , which was the last house in that direction for some distance , he looked round in order to be sure that his father was not by any accident behind him , and then He stands upon the bags , -he dances . climbing JEMMY . 23.
... , which was the last house in that direction for some distance , he looked round in order to be sure that his father was not by any accident behind him , and then He stands upon the bags , -he dances . climbing JEMMY . 23.
Side 24
... round continually , with a min- gled expression of guilt , pleasure , and fear , in his countenance , in order to be sure that his father was not coming . Finally , he undertook to make his horse trot a little . The horse , however , by ...
... round continually , with a min- gled expression of guilt , pleasure , and fear , in his countenance , in order to be sure that his father was not coming . Finally , he undertook to make his horse trot a little . The horse , however , by ...
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50 cents 66 Mary accordingly Albert Anne Sophia asked Mary Bell asked Mary Erskine baby barn baskets of chips Beechnut began Bell's Bella breakfast brook called cents chil climb corner cows desk dipper don't you forget door dren farm finished fire Franconia glad Gordon guardian half Calf hand happy horse hundred dollars JARED SPARKS Jemmy Judge of Probate Julius Cæsar Keep land learn to write letters Letters of Administration live LL.D looked Madame Guyon Mary Erskine's house morning mother Muslin neral night night lamp oven oxen pail paper path pause Phonny and Malleville Phonny's play pleasant pleasure Queen Bess ready replied road Sheep extra side skine sleep Sligo spider cake spring stoop strawberries thing Thomas thought told took trees village vols wagon walked window wished woods
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Side 6 - ... to feed it, while in the latter case, nearly every one will just as certainly look for a stone. Thus the growing up in the right atmosphere, rather than the receiving of the right instruction, is the condition which it is most important to secure, in plans for forming the characters of children. It is in accordance with this philosophy that these stories, though written mainly with a view to their moral influence on the hearts and dispositions of the readers, contain very little formal exhortation...
Side 4 - Congress, in the year one thousand eight hundred and fifty-five, by HARPER & BROTHERS, In the Clerk's Office for the Southern District of New York.
Side 5 - The development of the moral sentiments in the human heart, in early life, — and everything in fact which relates to the formation of character, — is determined in a far greater degree by sympathy, and by the influence of example, than by formal precepts and didactic instruction.