The Complete Works of Sir Joshua Reynolds: First President of the Royal Academy : with an Original Memoir, and Anecdotes of the Author, Volum 3T. M'Lean, 1824 |
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Side 102
... ground , the effect of light and shadow , and the attitude of every figure or animal that is introduced or makes a part of the work . Composition , which is the principal part of the Invention of a painter , is by far the greatest ...
... ground , the effect of light and shadow , and the attitude of every figure or animal that is introduced or makes a part of the work . Composition , which is the principal part of the Invention of a painter , is by far the greatest ...
Side 118
... ground . R. It is said to have been Annibale Caracci's opi- nion , that a perfect composition ought not to con- sist of more than twelve figures , which he thought enough to people three groups , and that more would destroy that majesty ...
... ground . R. It is said to have been Annibale Caracci's opi- nion , that a perfect composition ought not to con- sist of more than twelve figures , which he thought enough to people three groups , and that more would destroy that majesty ...
Side 119
... ground , though it was frequently the practice of the greatest Painters , even of the best age : Mi- chel Angelo has it in the Crucifixion of St. Peter ; Raffaelle in the Cartoon of the preaching of St. Paul ; and Parmigiano often ...
... ground , though it was frequently the practice of the greatest Painters , even of the best age : Mi- chel Angelo has it in the Crucifixion of St. Peter ; Raffaelle in the Cartoon of the preaching of St. Paul ; and Parmigiano often ...
Side 122
... ground of the same crim- son colour , and the white is diffused by a letter which lies on the table ; and a bunch of flowers is likewise introduced for the same purpose . R. NOTE XXX . VERSE 275 . Not on the form 122 NOTES ON THE.
... ground of the same crim- son colour , and the white is diffused by a letter which lies on the table ; and a bunch of flowers is likewise introduced for the same purpose . R. NOTE XXX . VERSE 275 . Not on the form 122 NOTES ON THE.
Side 130
... ground , and some idea of disposing both the figures and the lights in groups . Now as nothing of this appears in what we have of ancient Painting , we may conclude that this part of the art was totally neglected , or more probably ...
... ground , and some idea of disposing both the figures and the lights in groups . Now as nothing of this appears in what we have of ancient Painting , we may conclude that this part of the art was totally neglected , or more probably ...
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The Complete Works of Sir Joshua Reynolds: First President of the ..., Volum 3 Sir Joshua Reynolds Uten tilgangsbegrensning - 1824 |
The Complete Works of Sir Joshua Reynolds, First President of the ..., Volum 3 Sir Joshua Reynolds Uten tilgangsbegrensning - 1824 |
The Complete Works Of Sir Joshua Reynolds: First President Of The Royal ... Sir Joshua Reynolds Ingen forhåndsvisning tilgjengelig - 2018 |
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action admirable Æneas Albert Durer amongst ancient Annibale Annibale Caracci Apelles appear Aristotle ART OF PAINTING artis artist atque beauty betwixt bright called canvass Caracci charms colorum colours compass composition Corpora Corregio disciple divine drapery Dryden epic epic poetry excellence expression face finishing forms Fresnoy Fresnoy's genius Geryon Giulio Romano give glow grace hæc hand harmony hero hues idea imitation Inque invention Jan Steen judgment labour light and shade Lodovico Caracci Luminis majesty manner master Membra Michel Angelo mind Muse nature never noble NOTE o'er ornament painter Paolo Veronese passions perfect persons Phidias picture piece pleasing poem poet poetry portrait practice precept principal quæ Quæque racter Raffaelle Rubens rules sculpture shadow sight single figure Sophocles spectator Statius style tabula taste things tints Titian tragedy translation true umbris Venice VERSE Virgil whole Zeuxis