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Bøker Bok 2130 av 47That Gainsborough himself considered this peculiarity in his manner, and the power...
" That Gainsborough himself considered this peculiarity in his manner, and the power it possesses of exciting surprise, as a beauty in his works, I think may be inferred from the eager desire which we know he always expressed, that his pic-- tures, at the... "
The literary works [&c.]. In which is included a memoir by J. Farington - Side 171
av Joshua Reynolds (sir.) - 1819
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Memoir of the Life of David Cox: Member of the Society of Painters in Water ...

Nathaniel Neal Solly - 1873 - 339 sider
...acknowledging the full effect of diligence under the appearance of chance and hasty negligence. However they appear to superficial observers, painters know very...attention to the general effect takes up more time and is more laborious to the mind than any mode of high finish or smoothness without much attention. Whatever...
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MANUAL OF THE FINE ARTS CRITICAL AND HISTORICAL

D. HUNTINGTON, M.A. - 1875
...works, may be inferred from the eager desire, which we know he always expressed, that his pictures, at the exhibition, should be seen near as well as at a distance. There is a charm about the children running wild in the Children of Gainsborough, Reynolds, and old...
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Manual of the Fine Arts, Critical and Historical: With an Introductin by D ...

Miss Ludlow - 1879 - 477 sider
...works, may be inferred from the eager desire, which we know he always expressed, that his pictures, at the exhibition, should be seen near as well as at a distance. There is a charm about the children running wild in tns Children of Gainsborough, Reynolds, and old...
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The gallery of British artists, Volum 1

John Sherer - 1879
...works, may be inferred from the eager desire which, we know, he always expressed, that his pictures at the Exhibition should be seen near as well as at a distance." These ingenuous criticisms, whilst trying to do justice to Gainsborough, are, at the same time, evincing...
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Great English Painters

Allan Cunningham - 1886 - 311 sider
...his works, may be inferred from the eager desire which we know he always expressed that his pictures at the exhibition should be seen near as well as at a distance." The president, however, weakens this vindication a little, when, in the succeeding sentences, he says,...
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Works, Volum 1

Edward FitzGerald - 1887
...Kettle called Pot — You know what. EAGLES NO FLY-CATCHERS. The slightness we see in Gainsborough's works cannot always be imputed to negligence. However...much more laborious to the mind, than any mode of high-finishing or smoothness, without such attention. Sir J. Reynolds. Sir Joshua said, " though Johnson...
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Discourses

Sir Joshua Reynolds - 1887 - 283 sider
...I think may be inferred from the eager desire which we know he always expressed, that his pictures, at the Exhibition, should be seen near, as well as...works cannot always be imputed to negligence. However the}- may appear to superficial obscrvero, painters know very well that a steady attention to the general...
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Roman Literature in Relation to Roman Art

Robert Burn - 1888 - 315 sider
...Greek sculptors. On the difficulty of producing a general effect in art, Sir J. Reynolds says : — " A steady attention to the general effect takes up...high finishing or smoothness without such attention." Mr. Parker says : — art — the temples, the poems, and plays, the pictures and statues, — was...
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The Variorum and Definitive Edition of the Poetical and Prose ..., Volum 5

Edward FitzGerald - 1902
...called Pot — You know what. EAGLES NO FLY-CATCHERS. (XC) THE slightness we see in Gainsborough's works cannot always be imputed to negligence. However...much more laborious to the mind, than any mode of high-finishing or smoothness, without such attention. Sir Joshua said, " though Johnson did not write...
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Gainsborough and His Place in English Art

Sir Walter Armstrong - 1904 - 297 sider
...refuse acknowledging the full effect of diligence, under the appearance of chance and hasty negligence The slightness which we see in his best works cannot...time, and is much more laborious to the mind, than any.mode of high finishing, or smoothness, without such attention. His handling, the manner of leaving...
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