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Bøker Bok 5160 av 147Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted...
" Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter... "
The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections ... - Side 240
av William Shakespeare - 1793
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The Complete Works of William Shakespeare: Comprising His Plays, and Poems ...

William Shakespeare - 1882 - 926 sider
...feel the highest pleasure tnat the drama can give, read every play from the first scene to the last, { / { / / stoop at correction or I explanation. When his attention is strongly engageo ! let it disdain alike...
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The Contemporary Review, Volum 47

1885
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to...
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Shakespeare's Tragedy of Hamlet: Prince of Denmark

William Shakespeare - 1885 - 230 sider
...feel the greatest pleasure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, "let it not stoop at correction or explanation. Let him read on through brightness and obscurity, through integrity...
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Tragedy of Hamlet, Prince of Denmark

William Shakespeare - 1885 - 237 sider
...feel the greatest pleasure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. Let him read on through brightness and obscurity, through integrity...
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Shakespeariana, Volum 3

1886
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to...
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Shakespeariana; a critical and contemporary review of Shakespearian ..., Volum 3

1886
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, •with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to...
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Obiter Dicta ...: Milton. Pope. Johnson. Burke. The muse of history. Charles ...

Augustine Birrell - 1887
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it- not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to...
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Obiter Dicta: Second Series, Volum 2

Augustine Birrell - 1887 - 289 sider
...feel the highest pleasure 'that the drama can give, read every play 'from the first scene to the last, with utter ' negligence of all his commentators. When 'his fancy is once on the wing, let it not 'stoop at correction or explanation. ' When 'his attention is strongly engaged, let it dis'dain alike...
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Wit and Wisdom of Samuel Johnson

Samuel Johnson - 1888 - 323 sider
...feel the highest pleasure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing let it not stoop at correction or explanation. When his attention is strongly engaged let it disdain alike to...
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West Indian Quarterly, Volum 3

1887
...the drama can give, read each play, from the first scene to the last, with utter negligence of all commentators. When his fancy is once on the wing, let it not stoop to correction or explanation. Let him read on through brightness and obscurity ; and only when...
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