 | Francis Turner Palgrave - 1908 - 476 sider
...feel the highest pleassure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to... | |
 | Samuel Johnson - 1908 - 254 sider
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to... | |
 | William Caxton, Jean Calvin, Nicolaus Copernicus, Francis Bacon, Edmund Spenser, Sir Walter Raleigh, Isaac Newton, Henry Fielding, Samuel Johnson, Johann Wolfgang von Goethe, William Wordsworth, Walt Whitman - 1910 - 458 sider
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to... | |
 | Augustine Birrell - 1910 - 344 sider
...the ' highest pleasure that the drama can give, read every 'play from the first scene to the last, with utter ' negligence of all his commentators. When his fancy ' is once on the wing, let it not stoop at correction or ' explanation. When his attention is strongly engaged, ' let it disdain alike... | |
 | Mary Fisher - 1912 - 330 sider
...feel the highest pleasure that the drama can give read every play from the first to the last with the utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to... | |
 | Alexander Nairne - 1914 - 260 sider
...feel the highest pleasure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to... | |
 | Herbert Morse - 1915 - 320 sider
...the true, and in the end shortest, method to pursue. play from the first scene to the last, with the utter negligence of all his commentators. When his fancy is once on the wing let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to... | |
 | Herbert Morse - 1915 - 320 sider
...the true, and in the end shortest, method to pursue. play from the first scene to the last, with the utter negligence of all his commentators. When his fancy is once on the wing let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to... | |
 | Lilian Beeson Brownfield - 1904 - 160 sider
...feel the highest pleasure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stop at correction or explanation. When his attention is strongly engaged, let it disdain to turn aside... | |
 | William Shakespeare - 1920 - 264 sider
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to... | |
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Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter... 
