 In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius who is ignorant of the rules of art, than in those of a little genius who knows and observes them.  The Spectator. ... - Side 1981789Uten tilgangsbegrensning - Om denne boken
 | Joseph Addison - 1804 - 500 sider
[ Beklager, innholdet på denne siden er tilgangsbegrenset. ] | |
 | Alexander Chalmers - 1808 - 308 sider
...sometimes a greater judgment shown in deviating from the rules of art than in adhering to them ; and, 2dly, that there is more beauty in the works of a great...of art. than in the works of a little genius, who no< only knows but scrupulously observes them. First, We may often take notice of men who> are perfectly... | |
 | 1808 - 306 sider
...adhering to them ; and, Secondly, That there is more heauty in the works of a great genins, who it ignorant of all the rules of art, than in the works of n little genins, who not only knows, hut scrupuloosly ohserves them. First, We may often take notice... | |
 | Joseph Addison, Sir Richard Steele - 1810 - 272 sider
...a greater judgment shown in deviating from the rules of art than in adhering to them ; and, 2rf/y, That there is more beauty in the works of a great...ignorant of all the rules of art, than in the works of a httle genius who not only knows but scrupulously observes them. First, We may often take notice of... | |
 | Joseph Addison, Richard Hurd - 1811 - 522 sider
...greater judgment shewn in deviating from the rules of art, than in adhering to them ; and, Secondly, That there is more beauty in the works of a great...works of a little genius, who not only knows, but scrupulously observes them." First, We may often take notice of men who are perfectly acquainted with... | |
 | British essayists - 1819 - 304 sider
...arts, which is what we call the sublime in writing. In the next place, our crities do not seem sensible that there is more beauty in the works of a great genius, who is ignorant of the rules of art, than in those of a little genius, who knows and observes them. It is of these men... | |
 | William Driverger - 1820 - 648 sider
...decry those beauties which they are incapable of feeling. They do not consider, that there is often more beauty in the works of a great genius, who is ignorant of all the rules of art, than in those of a petty author, who knows and observes them.. I was so delighted last year with a few select... | |
 | Lionel Thomas Berguer - 1823 - 286 sider
...which is •what we call the sublime in writing. In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius, who is ignorant of the rules of art, than in those of a little genius, who knows and observes them. It is of these men... | |
 | Spectator The - 1823 - 352 sider
...which is what we call the sublime in writing. In the next .place, our critics do not seem sensible that there is more beauty in the works of a great genius, who is ignorant of the rules of art, than in those of a little genius, who knows and observes them. It is of these men... | |
 | 1827 - 422 sider
...judgment shown in deviating from the rules of art than in adhering to them ; and, 2dly, that there is mo*e beauty in the works of a great genius, who is ignorant...the works of a little genius, who not only knows but scrupulously observes First, We may often take notice of men who are perfectly acquainted with all... | |
| |
