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" Gainst graver hours, that bring constraint To sweeten liberty: Some bold adventurers disdain The limits of their little reign, And unknown regions dare descry: Still as they run they look behind, They hear a voice in every wind, And snatch a fearful joy. "
The Works of Thomas Gray, Esq - Side 369
av Thomas Gray, William Mason - 1827 - 446 sider
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Cyclopædia of English literature, Volum 2

Robert Chambers - 1844
...business bent Their murmuring labours ply 'Gainst graver hours, that bring constraint To sweeten liberty ; stonishing scenes I ever beheld. Add to this the strange...very summit down into the vale and the river below, possessed ; The tear forgot as soon as shed, The sunshine of the breast. Theirs buxom health of rosy...
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Cyclopædia of English Literature: A History, Critical and ..., Volum 2

Robert Chambers - 1844
...bent Their murmuring labours ply "Gainst graver hours, that bring constraint To sweeten liberty ; , ighbouring nations: and hough her enemies were the...active, the most enterprising, the east scrupulous, possessed ; The tear forgot as soon as shed, The sunshine of the breast. Theirs buxom health of rosy...
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The man without a profession

Charles Rowcroft - 1844
...bent, Their murm'ring labours ply, 'Gainst graver hours, that bring constraint To sweeten liberty: Some bold adventurers disdain The limits of their...a voice in every wind, And snatch a fearful joy." GHAT. IT was not for several days after Frank's arrival, that Mr. Coverley proceeded to examine the...
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The Poetical Works of Collins, Gray, and Beattie: With a Memoir of Each

William Collins - 1844 - 308 sider
...Thejr murui'rtng lahours piy 'Gainst graver houra, that hring constrains To sweeten liherty : Some hold adventurers disdain The limits of their little reign, And unknown regions dare descry : Still as they ren they look hehind, They hear a voice in every wind, And snatch a fearful joy. Gay hope is theirs,...
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The Poetical Works of Collins, Gray, and Beattie: With a Memoir of Each

William Collins - 1844 - 308 sider
...'Gainst graver hours, that hring constraint To sweeten liherty : Some hold adventurers disdain The limiti of their little reign, And unknown regions dare descry : Still as they run they look hehind, I They hear a voice in every wind, ' And snatch a fearful joy. Gay hope is theirs, hy fancy...
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The Mysterious Man: A Novel

Frederick Chamier - 1844
...manner described by the poet in reference to a different source of delight. " Still as they run, thej look behind, They hear a voice in every wind, And snatch a fearful joy." Jacob surrendered himself to the happiness of the hour ; the circumstance of a supernatural neighbourhood...
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The Dublin university magazine

University magazine - 1845
...brmg constraint, To sweeten liberty ; Some bold adventurers disdain The limits of their little rei^n, And unknown regions dare descry : Still, as they run...Gay hope is theirs, by fancy fed, Less pleasing when pnssess'd 1 The tear, forgot as soon as shed, The sunshine of the breast ; Theirs, buxom health, of...
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The Collected Letters of Joseph Conrad, Volum 6

Joseph Conrad, Senior Lecturer Department of English Owen Knowles - 1983 - 570 sider
...soon I am thinking of motto and dedication. Your JC Enci 3 small bills for household furnitures. ' 'They hear a voice in every wind /And snatch a fearful joy': Thomas Gray (1716-71), 'Ode on a Distant Prospect of Eton College'. 2 Soon after the letter of [24...
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Reading Romantics: Texts and Contexts

Peter J. Manning - 1990 - 326 sider
...absorbed in their activities; Gray's are haunted by the disillusionment the speaker sees awaiting them: "Still as they run they look behind, / They hear a voice in every wind, / And snatch a fearful joy." Melancholically looking behind him from the vantage of the suffering that the poem insists is the condition...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1132 sider
...soul they seem to soothe. And. redolent of joy and youth, To breathe a second spring. (1. 17-19) 15 (1. 37-39) 16 Alas! regardless of their doom The litte victims play; (1. 50-51) 17 No more; — where...
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