 | Sir Joshua Reynolds - 1852 - 512 sider
...something to be admired, but with which they have nothing to do: quod super nos, nihU ad nos. — The Artists of that age, even Raffaelle himself, seemed...contentedly in the dry manner of Pietro Perugino ; and if Michel Angelo had never appeared, the Art might still have continued in the same style. Beside Rome... | |
 | Sir Joshua Reynolds, Allan Cunningham - 1860 - 398 sider
...something to be admired, but with which they have nothing to do : quod super nos, nihil ad nos. The Artists of that age, even Raffaelle himself, seemed...might still have continued in the same style. Beside Home and Florence, where the grandeur of this style was first displayed, it was on this Foundation... | |
 | Ralph Nicholson Wornum - 1864 - 674 sider
...Joshua Eeynolds, who says, in his Fifteenth Discourse, that "The artists of that age, even Eaphael himself, seemed to be going on very contentedly in the dry manner of Pietro Perugino ; and if Michelangelo had never appeared, the art might still have continued in the same style." The utter groundlessness... | |
 | Sir Joshua Reynolds - 1887 - 332 sider
...something to be admired, but with which they have nothing to do : quod super nos, nihil ad nos. — The Artists of that age, even Raffaelle himself, seemed...contentedly in the dry manner of Pietro Perugino ; and if Michel Angelo had never appeared, the Art might still have continued in the same style. Beside Rome... | |
 | Sir Joshua Reynolds - 1887 - 330 sider
...they have nothing to do : quod super nos, niliil ad nos. — The Artists of that age, even Raflaelle himself, seemed to be going on very contentedly in the dry manner of Pietro Perugino ; and if Michel Angelo had never appeared, the Art might still have continued in the same style. Beside Rome... | |
 | Sir Joshua Reynolds - 1905 - 564 sider
...something to be admired, but with which they have nothing to do: quod super nos, nihil ad nos. The artists of that age, even Raffaelle himself, seemed...that the Caracci built the truly great Academical PELLEGRINO TIBALDI LIECHTENSTEIN GALLERT, VIENNA THE reader may be glad to be able to refer to this... | |
 | 1839 - 348 sider
...something to be admired, but with which they have nothing to do : quod Super nos, nihil ad nos. — The artists of that age, even Raffaelle himself, seemed...going on very contentedly in the dry manner of Pietro Pemgino ; and if Michael Angelo had never appeared, the art might still have continued in the same... | |
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The Artists of that age, even Raffaelle himself, seemed to be going on very contentedly in the dry manner of Pietro Perugino; and if Michael Angelo had never appeared, the Art might still have continued in the same style. 
