| Precept - 1825 - 302 sider
...to which Poetry would be made subsequent, or indeed rather precedent, as less subtle and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvettro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a... | |
| John Milton - 1826 - 368 sider
...which, poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
| John Milton - 1835 - 1044 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,... | |
| Schoolmaster - 1836 - 926 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate ; I mean not...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, touches what the laws are of a true epic poem, what of a dramatic, what of a lyric,... | |
| 1836 - 432 sider
...which poetry would he made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate; I mean not...which they could not but have hit on before among Ihe rudiments of grammar, but that subhme art which in Aristotle's Poetics, in Horace, and the Italian... | |
| John Milton - 1836 - 448 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not here the prosody of a verse, which they (sl) From the Phfedrus we learn it was the practice among the young men of Athens to commit entire... | |
| 1839 - 636 sider
...which, poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
| 1839 - 598 sider
...which, poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
| Central Society of Education (London, England), John Lalor, John Abraham Heraud, Edward Higginson, James Simpson - 1839 - 558 sider
...falsity, than by reading all manner of tractates, and hearing all manner of reason." — Areopagitica. but " that sublime art which, in Aristotle's poetics,...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws of a true epic poem are, what of a dramatic, what of a lyric,... | |
| Monthly literary register - 1840 - 694 sider
...passionate," should have precedence of logic; not, of course, the mere ' prosody of a verse,' as he terms it, but' that sublime art which, in Aristotle's poetics,...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,... | |
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