 | Henry Barnard - 1872 - 984 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but order of stars: being compared with the light qhe is g ( ǭ ait which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni,... | |
 | World - 1874 - 150 sider
...are as a beacon against sensationalism. " The true art of poetry is not the mere prosody of a verse; but that sublime art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Tasso and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,... | |
 | John Milton, James Augustus St. John - 1875 - 540 sider
...made subsequent^ or indeed rather1'. (f . precedent, as being less subtile and fine, butunore^imple, sensuous, and passionate. I mean not here the prosody...rudiments of grammar; but that sublime art which in Aris« He here recommends nothing but what he himself understood. — ED. t From the Phicdrus we learn... | |
 | Henry Barnard - 1876 - 514 sider
...which poetry would bo made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous and passionate. I mean not here...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,... | |
 | Henry Barnard - 1876 - 524 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous and passionate. I mean not here...grammar, but that sublime art which in Aristotle's Poeties, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches... | |
 | John Milton - 1883 - 96 sider
...which Poetry would be made subsequent, or indeed rather precedent, as being less suttle and fine, but more simple, sensuous and passionate. I mean not here...rudiments of Grammar; but that sublime Art which in Aristotles Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Maszoni, and others,... | |
 | John [prose Milton (selected]) - 1884 - 304 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | John Milton - 1884 - 326 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...in Aristotle's Poetics, in Horace, and the Italian cemmentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem,... | |
 | John Milton - 1889 - 464 sider
...poetry would be made subsequent, or, indeed, rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate; I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | 1890 - 276 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...prosody of a verse, which they could not but have hit onbefore among the rudiments of Grammar ; but that sublime art which in Aristotle's Poetics, in Horace,... | |
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I mean not here the prosody of a verse, which they could not but have hit on before among the rudiments of grammar... 
