 | Arthur Octavius Prickard - 1891 - 196 sider
...which Poetry would be made subsequent, or indeed rather precedent, as being less subtle and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true Epic Poem, what of a Dramatic,... | |
 | Joseph Addison - 1892 - 234 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | Joseph Addison - 1892 - 236 sider
...which poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | Edmund Clarence Stedman - 1892 - 372 sider
...being less subtile and fine, but more simple, sensuous, and passionate. I mean not here the prosody o£ a verse, which they could not but have hit on before...sublime art which in Aristotle's poetics, in Horace, . . . teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum... | |
 | Joseph Addison - 1892 - 238 sider
...read his treatise On Education. Milton would have the art of poetry taught, which he conceives of as " that sublime art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | Louis Du Pont Syle - 1894 - 496 sider
...Rhetoric] poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous and passionate. I mean not here...which in Aristotle's Poetics, in Horace . . . and others, teaches us what the laws are of a true epic poem, what of a dramatic, what of a lyric, what... | |
 | Ernest Rhys - 1897 - 250 sider
...which Poetry would be made subsequent, or indeed rather precedent, as being less suttle and fine, but more simple, sensuous, and passionate. I mean not...rudiments of Grammar ; but that sublime Art which in Aristotles Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazzoni, and others,... | |
 | Louis Du Pont Syle - 1894 - 478 sider
...being less subtile and fine, but more simple, sensuous and passionate. I mean not here the prosodv of a verse, which they could not but have hit on before...which in Aristotle's Poetics, in Horace . . . and others, teaches us what the laws are of a true epic poem, what of a dramatic, what of a lyric, what... | |
 | David Masson - 1859 - 758 sider
...Milton did not mean mere Prosody, which he assumed the pupils to have learnt long ago under the head of Grammar, but " that sublime Art which, in ARISTOTLE'S...Poetics, in " HORACE, and the Italian Commentaries of CASTELVETRO, " TASSO, MAZZONI, and others, teaches what the laws are of a " true Epic Poem, what of... | |
 | John Milton - 1895 - 104 sider
...indeed rather precedent, as being less subtle and fine, but more simple, sensuous and passion20 ate. I mean not here the prosody of a verse, which they...Poetics, in Horace, and the Italian commentaries of jhes what the laws are of a true Epic em, what of a Dramatic, what of a Lyric, nat decorum is, which... | |
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I mean not here the prosody of a verse, which they could not but have hit on before among the rudiments of grammar... 
