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" The barge she sat in, like a burnish'd throne, Burn'd on the water ; the poop was beaten gold, Purple the sails, and so perfumed that The winds were love-sick with them, the oars were silver, Which to the tune of flutes kept stroke, and made The water... "
THE DRAMATIC WORKS OF WILLIAM SHAKESPEARE; ILLISTARTED; EMBRACING A LIFE OF ... - Side 121
1851
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The Imperial Theme

G. Wilson Knight - 2002 - 392 sider
...meeting with Antony: Enobarbus. I will tell you. The barge she sat in, like a burnish'd throne, Burn'd on the water: the poop was beaten gold; Purple the...As amorous of their strokes. For her own person, It beggar'd all description: she did lie In her pavilion — cloth-of-gold of tissue — O'er-picturing...
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Gendered spaces: Wandel des "Weiblichen" im englischen Diskurs der frühen ...

Martina Mittag - 2002 - 260 sider
...Enobarbus in Antony and Cleopatra, UU 1 94-245 : The barge she sat in, like a bumish'd throne,/ Burn'd on the water. The poop was beaten gold;/ Purple the...amorous of their strokes. For her own person,/ It bcggar'd all description: she did lie/ In her pavilion - cloth-of-gold of tissue — / O'er-picturing...
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The Shakespearian Tempest: With a Chart of Shakespeare's Dramatic Universe

G. Wilson Knight - 2002 - 360 sider
...barge at Cydnus: Enobarbus. I will tell you. The barge she sat in, like a burnish'd throne, Burn'd on the water: the poop was beaten gold; Purple the...As amorous of their strokes. For her own person, It beggar'd all description: she did lie In her pavilion— doth-of-gold of tissue — O'er-picturing...
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Shakespeare Survey, Volum 6

Allardyce Nicoll - 2002 - 204 sider
...people cold and to the famous description of Cleopatra's first meeting with Antony (n, ii, 197-201): Purple the sails, and so perfumed that The winds were...beat to follow faster, As amorous of their strokes and here, as in the Edward HI passage, there is a lavish use of gold and silver.13 There remain to...
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The art of acting: seni peran untuk teater, film dan TV

Eka D. Sitorus - 2002 - 259 sider
...a burnish'd throne Burn'd on the water, the poop was beaten gold; Purple the sails; and so parfumed that The winds were love-sick with them; the oars...beat to follow faster, As amorous of their strokes. (Perahu yang ditumpanginya, seperti tahta terpoles Membara di atas air, dengan dek disepuh emas; Layarnya...
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Before Orientalism: London's Theatre of the East, 1576-1626

Richmond Barbour - 2003 - 238 sider
...Thomas North verbatim. Thus Enobarbus' rhapsody (cf. Bullough, Narrative and Dramatic Sources, v: 274): The barge she sat in, like a burnished throne, Burned...strokes. For her own person, It beggared all description. (2.2.201-8) The speech is a set-piece of proto-orientalist vision: the splendid, improbable vessel,...
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A Guide to Biblical Sites in Greece and Turkey

Clyde E. Fant, Mitchell G. Reddish - 2003 - 395 sider
...of her visit, described the scene as follows: The barge she sat in, like a burnish'd throne, Burn'd on the water: the poop was beaten gold; Purple the...As amorous of their strokes. For her own person, It beggar'd all description: she did lie In her pavilion — cloth-of-gold of tissue — O'er-picturing...
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A2 English Language and Literature for AQA B

Alison Ross, Jen Greatrex - 2001 - 196 sider
...Cleopatra DOMITIUS ENOBARBUS I will tell you. The barge she sat in, like a burnish'd throne Burn'd on the water: the poop was beaten gold; Purple the...As amorous of their strokes. For her own person, It beggar'd all description: she did lie In her pavilion - cloth of gold, of tissue O'er-picturing that...
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The Shakespeare Oracle

...CLEOPATRA. Hie barjIc she sat in, like a burnish'd throne, Burn W on the water: the poop was beaten fjoid; Purple the sails, and so perfumed that The winds were...tune of flutes kept stroke, and made The water which thev beat to follow faster, As amorous of their strokes. For her own person, It bejigared all deseription:...
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Soundscape: The School of Sound Lectures, 1998-2001

Larry Sider, Jerry Sider, Diane Freeman - 2003 - 242 sider
...taking her to her first meeting with Anthony in Shakespeare's play is perhaps the classic example: '... the oars were silver, Which to the tune of flutes...beat to follow faster, As amorous of their strokes.' The words between 'stroke' and 'faster' require the speaker to push through the resistance of the line-break,...
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